Francis Chapin - Figure Studies
American, 1899 - 1965
Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington & Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong study trip to Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists have in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the Art Institute, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (now called Oxbow) between 1934 – 1938 (he was the director of the school from 1941-1945). Chapin’s contemporaries among Chicago’s artists included such luminaries as Ivan Le Lorraine Albright, Edgar Miller, William S. Schwartz and Aaron Bohrod among others.
A prolific painter, Chapin produced numerous works while traveling in Mexico, France, Spain, Saugatuck and Martha’s Vineyard, where he frequently spent summers and taught at the Old Sculpin Gallery there. Chapin was best recognized for his dynamic and vibrant images of Chicago during the 1930s and 40s. Chapin was a resident of the Old Town neighborhood where he lived and kept his studio on Menomonee Street for many years. Described as a “colorful figure, nearly 6 feet 6 inches tall, and thin, and usually wearing tweeds”, it is easy to imagine Chapin at work observing the busy street life of the city.
In addition to his many exhibitions at the Art Institute of Chicago, Chapin’s work was shown during his lifetime at such institutions as the Pennsylvania Academy of Fine Arts, Philadelphia; the Corcoran Gallery, Washington, D.C.; the National Academy of Design, New York; the Museum of Modern Art, New York; the Whitney Museum of American Art, New York and the Carnegie Institute, Pittsburgh, among others. Francis Chapin’s paintings are represented in the collections the Art Institute of Chicago; the Friedman Collection, Chicago; the Butler Institute of American Art, Youngstown; the Denver Art Museum; the Everson Museum of Art, Syracuse; the Norton Museum of Art, West Palm Beach; the Telfair Museum of Art, Savannah and the Brooklyn Museum of Art, among others.
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Untitled (Seated Nude), ca. 1940sWatercolor on paper15 3/4 x 10 inches
Estate stamped on reverse
#20079 -
Untitled (Seated Nude), ca. 1930sWatercolor on paper12 x 18 inches
Estate stamped on reverse
#20108 -
Untitled (Seated Nude), ca. 1930sWatercolor on paper19 x 11 3/4 inches
Estate stamped on reverse
#20106 -
Untitled (Standing Nude), ca. 1930sPastel on paper13 3/4 x 11 inches
Estate stamped on reverse
#20140 -
Untitled (Seated Nude), ca. 1950Ink and watercolor on paper12 x 9 inches
Estate stamped on reverse
#20300 -
Untitled (Seated Nude), ca. 1940sWatercolor and charcoal on paper15 1/2 x 9 3/4 inches
Estate stamped on reverse
#20080 -
Untitled (Seated Nude), ca. 1950Watercolor and pastel on paper12 3/4 x 10 inches
Estate stamped on reverse
#14019 -
Untitled (Seated Nude), ca. 1948Watercolor on paper16 x 12 inches
Estate stamped on reverse
#12734 -
Untitled (Seated Nude), ca. 1948Watercolor on paper18 x 12 1/4 inches
Estate stamped on reverse
#14024 -
Untitled (Seated Nude), ca. 1945Watercolor on paper17 x 9 inches
Estate stamped on reverse
#14029 -
Untitled (Seated Nude), ca. 1950Watercolor on paper22 1/4 x 14 3/4 inches
Signed Francis Chapin and estate stamped on reverse
#13990 -
Untitled (Seated Nude), ca. 1950Watercolor on paper14 x 11 inches
Estate stamped on reverse
#14017 -
Untitled (Seated Nude), ca. 1950Watercolor, pastel and charcoal on paper23 x 17 inches
Estate stamped on reverse
#13992 -
Seated Nude, ca. 1948Watercolor on paper16 x 10 1/2 inches
Signed Francis Chapin, lower right; Estate stamped on reverse
#14040 -
Untitled (Bather), ca. 1948Watercolor on paper3 3/4 x 9 1/4 inches
Estate stamped on reverse
#12731 -
Untitled (Dancers), ca. 1940sWatercolor, pastel and graphite on paper7 x 11 inches
Estate stamped on reverse
#7064 -
Untitled (Standing Dancer), ca. 1930sWatercolor and ink on paper11 x 8 1/2 inches
Estate stamped on reverse
#20124 -
Untitled (Standing Dancer), ca. 1930sWatercolor and ink on paper11 1/2 x 9 1/2 inches
Estate stamped on reverse
#20134 -
Untitled (Ballet), ca. 1950Watercolor on paper9 x 12 inches
Estate stamped on reverse
#14048 -
Untitled (Ballet), ca. 1950Watercolor on paper9 x 12 inches
Estate stamped on reverse
#14050 -
Untitled (Dancers), ca. 1950Watercolor and pastel on paper9 x 12 1/4 inches
Estate stamped on reverse
#12730 -
Untitled (Dancers), ca. 1950Ink and charcoal on paper10 3/4 x 13 3/4 inches
Estate stamped on reverse
#20179 -
Untitled (Dancers), ca. 1950Ink on paper10 3/4 x 13 3/4 inches
Estate stamped on reverse
#20180 -
Untitled (Couture), ca. 1935Watercolor, pastel and charcoal on paper14 3/4 x 10 1/4 inches
Estate stamped on reverse
#19732 -
Untitled (Tennis Player), ca. 1950Watercolor on paper15 1/2 x 10 inches
Estate stamped on reverse
#14032 -
Untitled (Figures in a Garden), ca. 1950Pastel and graphite on paper9 x 12 inches
Estate stamped on reverse
#12869 -
Untitled (Figure Study, Standing Nude), ca. 1930sWatercolor on handmade paper18 x 12 inches
Estate stamped on reverse
#20304 -
Untitled (Standing Nude), ca. 1930sCharcoal and pastel on paper12 x 9 1/4 inches
Estate stamped on reverse
#14001 -
Untitled (Figure Study, Standing Male), ca. 1930sWatercolor and ink on paper12 x 9 inches
Estate stamped on reverse
#20149 -
Untitled (Figure Study, Kneeling Male), ca. 1930sCharcoal on paper14 x 11 inches
Estate stamped on reverse
#20154 -
Untitled (Reclining Nude), ca. 1930sCharcoal on paper11 x 14 inches
Signed Francis Chapin, lower right; Estate stamped on reverse
#20315 -
Untitled (Seated Nude), ca. 1950Watercolor, ink and pastel on paper11 1/2 x 9 inches
Signed Francis Chapin, lower right; Estate stamped on reverse
#12790 -
Untitled (Reclining Nude), ca. 1930sWatercolor and ink on paper11 1/2 x 14 1/2 inches
Estate stamped on reverse
#20135 -
Untitled (Reclining Nude), ca. 1948Watercolor on paper9 1/2 x 12 3/4 inches
Estate stamped on reverse
#14020 -
Untitled (Seated Nude), ca. 1930sWatercolor on paper17 x 11 inches
Estate stamped on reverse
#20145 -
Untitled (Seated Nude), ca. 1950Pastel on paper16 x 10 1/4 inches
Signed Francis Chapin, lower right; Estate stamped on reverse
#14018 -
Figure Study (Reclining Nude), ca. 1935Charcoal on paper11 x 17 inches
Estate stamped on reverse
#12780 -
Untitled (Seated Nude), ca. 1950Watercolor and pastel on paper19 x 13 1/4 inches
Estate stamped on reverse
#13996 -
Untitled (Seated Nude), ca. 1930sPastel on paper11 3/4 x 8 3/4 inches
Signed F. Chapin, lower right; Estate stamped on reverse
#14002 -
Untitled (Figure Study, Standing Nude), ca. 1930sPastel and watercolor on paper18 x 12 inches
Estate stamped on reverse
#20305 -
Untitled (Seated Nude), ca. 1930sWatercolor on paper12 x 18 inches
Estate stamped on reverse
#20107 -
Untitled (Standing Nude, Back), ca. 1930sWatercolor on paper18 x 12 inches
Estate stamped on reverse
#20111 -
Study of Renior “Nymphes”, ca. 1928Graphite on paper5 x 8 inches
Titled and inscribed lower left; Estate stamped on reverse
#20307 -
Untitled (Reclining Nude), ca. 1930Charcoal and watercolor on paper9 3/4 x 12 3/4 inches
Estate stamped on reverse
#12883 -
Untitled (Reclining Nude), ca. 1930sWatercolor on paper12 x 16 inches
Estate stamped on reverse
#14034 -
Untitled (Reclining Nude), ca. 1930sCharcoal on paper9 3/4 x 12 3/4 inches
Estate stamped on reverse
#6959 -
Untitled (Seated Nude), ca. 1930sCharcoal on paper12 1/4 x 9 1/2 inches
Estate stamped on reverse
#20100 -
Untitled (Standing Nude), ca. 1940sWatercolor and ink on paper15 3/4 x 10 1/4 inches
Estate stamped on reverse
#20081 -
Figure Study (Seated Nude), ca. 1935Charcoal and ink on paper12 x 9 inches
Estate stamped on reverse
#12796 -
Untitled (Seated Nude), ca. 1930sCharcoal on paper13 1/2 x 9 3/4 inches
Estate stamped on reverse
#20139 -
Untitled (Figure Study, Seated Male Model), ca. 1930sInk on paper16 3/4 x 11 inches
Estate stamped on reverse
#20102 -
Untitled (Artist’s Studio, Paris), ca. 1927Graphite on paper8 1/2 x 11 inches
Estate stamped on reverse
#7100 -
A Summer Sketch (Figures on a Pier), ca. 1950sWatercolor and pastel on paper11 x 13 inches
Signed Francis Chapin, lower right; titled on reverse
#14060 -
Untitled (Portrait of a Young Woman), ca. 1950sPastel on paper4 1/2 x 3 inches
Estate stamped on reverse
#20048
Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington & Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong study trip to Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists have in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the Art Institute, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (now called Oxbow) between 1934 – 1938 (he was the director of the school from 1941-1945). Chapin’s contemporaries among Chicago’s artists included such luminaries as Ivan Le Lorraine Albright, Edgar Miller, William S. Schwartz and Aaron Bohrod among others.
A prolific painter, Chapin produced numerous works while traveling in Mexico, France, Spain, Saugatuck and Martha’s Vineyard, where he frequently spent summers and taught at the Old Sculpin Gallery there. Chapin was best recognized for his dynamic and vibrant images of Chicago during the 1930s and 40s. Chapin was a resident of the Old Town neighborhood where he lived and kept his studio on Menomonee Street for many years. Described as a “colorful figure, nearly 6 feet 6 inches tall, and thin, and usually wearing tweeds”, it is easy to imagine Chapin at work observing the busy street life of the city.
In addition to his many exhibitions at the Art Institute of Chicago, Chapin’s work was shown during his lifetime at such institutions as the Pennsylvania Academy of Fine Arts, Philadelphia; the Corcoran Gallery, Washington, D.C.; the National Academy of Design, New York; the Museum of Modern Art, New York; the Whitney Museum of American Art, New York and the Carnegie Institute, Pittsburgh, among others. Francis Chapin’s paintings are represented in the collections the Art Institute of Chicago; the Friedman Collection, Chicago; the Butler Institute of American Art, Youngstown; the Denver Art Museum; the Everson Museum of Art, Syracuse; the Norton Museum of Art, West Palm Beach; the Telfair Museum of Art, Savannah and the Brooklyn Museum of Art, among others.
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