Francis Chapin - Figure Studies

American, 1899 - 1965


Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington & Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong study trip to Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists have in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the Art Institute, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (now called Oxbow) between 1934 – 1938 (he was the director of the school from 1941-1945). Chapin’s contemporaries among Chicago’s artists included such luminaries as Ivan Le Lorraine Albright, Edgar Miller, William S. Schwartz and Aaron Bohrod among others.

A prolific painter, Chapin produced numerous works while traveling in Mexico, France, Spain, Saugatuck and Martha’s Vineyard, where he frequently spent summers and taught at the Old Sculpin Gallery there. Chapin was best recognized for his dynamic and vibrant images of Chicago during the 1930s and 40s. Chapin was a resident of the Old Town neighborhood where he lived and kept his studio on Menomonee Street for many years. Described as a “colorful figure, nearly 6 feet 6 inches tall, and thin, and usually wearing tweeds”, it is easy to imagine Chapin at work observing the busy street life of the city.

In addition to his many exhibitions at the Art Institute of Chicago, Chapin’s work was shown during his lifetime at such institutions as the Pennsylvania Academy of Fine Arts, Philadelphia; the Corcoran Gallery, Washington, D.C.; the National Academy of Design, New York; the Museum of Modern Art, New York; the Whitney Museum of American Art, New York and the Carnegie Institute, Pittsburgh, among others. Francis Chapin’s paintings are represented in the collections the Art Institute of Chicago; the Friedman Collection, Chicago; the Butler Institute of American Art, Youngstown; the Denver Art Museum; the Everson Museum of Art, Syracuse; the Norton Museum of Art, West Palm Beach; the Telfair Museum of Art, Savannah and the Brooklyn Museum of Art, among others.

  • Untitled (Seated Nude), ca. 1940s
    Watercolor on paper
    15 3/4 x 10 inches

    Estate stamped on reverse

    #20079
  • Untitled (Seated Nude), ca. 1930s
    Watercolor on paper
    12 x 18 inches

    Estate stamped on reverse

    #20108
  • Untitled (Seated Nude), ca. 1930s
    Watercolor on paper
    19 x 11 3/4 inches

    Estate stamped on reverse

    #20106
  • Untitled (Standing Nude), ca. 1930s
    Pastel on paper
    13 3/4 x 11 inches

    Estate stamped on reverse

    #20140
  • Untitled (Seated Nude), ca. 1950
    Ink and watercolor on paper
    12 x 9 inches

    Estate stamped on reverse

    #20300
  • Untitled (Seated Nude), ca. 1940s
    Watercolor and charcoal on paper
    15 1/2 x 9 3/4 inches

    Estate stamped on reverse

    #20080
  • Untitled (Seated Nude), ca. 1950
    Watercolor and pastel on paper
    12 3/4 x 10 inches

    Estate stamped on reverse

    #14019
  • Untitled (Seated Nude), ca. 1948
    Watercolor on paper
    16 x 12 inches

    Estate stamped on reverse

    #12734
  • Untitled (Seated Nude), ca. 1948
    Watercolor on paper
    18 x 12 1/4 inches

    Estate stamped on reverse

    #14024
  • Untitled (Seated Nude), ca. 1945
    Watercolor on paper
    17 x 9 inches

    Estate stamped on reverse

    #14029
  • Untitled (Seated Nude), ca. 1950
    Watercolor on paper
    22 1/4 x 14 3/4 inches

    Signed Francis Chapin and estate stamped on reverse

    #13990
  • Untitled (Seated Nude), ca. 1950
    Watercolor on paper
    14 x 11 inches

    Estate stamped on reverse

    #14017
  • Untitled (Seated Nude), ca. 1950
    Watercolor, pastel and charcoal on paper
    23 x 17 inches

    Estate stamped on reverse

    #13992
  • Seated Nude, ca. 1948
    Watercolor on paper
    16 x 10 1/2 inches

    Signed Francis Chapin, lower right; Estate stamped on reverse

    #14040
  • Untitled (Bather), ca. 1948
    Watercolor on paper
    3 3/4 x 9 1/4 inches

    Estate stamped on reverse

    #12731
  • Untitled (Dancers), ca. 1940s
    Watercolor, pastel and graphite on paper
    7 x 11 inches

    Estate stamped on reverse

    #7064
  • Untitled (Standing Dancer), ca. 1930s
    Watercolor and ink on paper
    11 x 8 1/2 inches

    Estate stamped on reverse

    #20124
  • Untitled (Standing Dancer), ca. 1930s
    Watercolor and ink on paper
    11 1/2 x 9 1/2 inches

    Estate stamped on reverse

    #20134
  • Untitled (Ballet), ca. 1950
    Watercolor on paper
    9 x 12 inches

    Estate stamped on reverse

    #14048
  • Untitled (Ballet), ca. 1950
    Watercolor on paper
    9 x 12 inches

    Estate stamped on reverse

    #14050
  • Untitled (Dancers), ca. 1950
    Watercolor and pastel on paper
    9 x 12 1/4 inches

    Estate stamped on reverse

    #12730
  • Untitled (Dancers), ca. 1950
    Ink and charcoal on paper
    10 3/4 x 13 3/4 inches

    Estate stamped on reverse

    #20179
  • Untitled (Dancers), ca. 1950
    Ink on paper
    10 3/4 x 13 3/4 inches

    Estate stamped on reverse

    #20180
  • Untitled (Couture), ca. 1935
    Watercolor, pastel and charcoal on paper
    14 3/4 x 10 1/4 inches

    Estate stamped on reverse

    #19732
  • Untitled (Tennis Player), ca. 1950
    Watercolor on paper
    15 1/2 x 10 inches

    Estate stamped on reverse

    #14032
  • Untitled (Figures in a Garden), ca. 1950
    Pastel and graphite on paper
    9 x 12 inches

    Estate stamped on reverse

    #12869
  • Untitled (Figure Study, Standing Nude), ca. 1930s
    Watercolor on handmade paper
    18 x 12 inches

    Estate stamped on reverse

    #20304
  • Untitled (Standing Nude), ca. 1930s
    Charcoal and pastel on paper
    12 x 9 1/4 inches

    Estate stamped on reverse

    #14001
  • Untitled (Figure Study, Standing Male), ca. 1930s
    Watercolor and ink on paper
    12 x 9 inches

    Estate stamped on reverse

    #20149
  • Untitled (Figure Study, Kneeling Male), ca. 1930s
    Charcoal on paper
    14 x 11 inches

    Estate stamped on reverse

    #20154
  • Untitled (Reclining Nude), ca. 1930s
    Charcoal on paper
    11 x 14 inches

    Signed Francis Chapin, lower right; Estate stamped on reverse

    #20315
  • Untitled (Seated Nude), ca. 1950
    Watercolor, ink and pastel on paper
    11 1/2 x 9 inches

    Signed Francis Chapin, lower right; Estate stamped on reverse

    #12790
  • Untitled (Reclining Nude), ca. 1930s
    Watercolor and ink on paper
    11 1/2 x 14 1/2 inches

    Estate stamped on reverse

    #20135
  • Untitled (Reclining Nude), ca. 1948
    Watercolor on paper
    9 1/2 x 12 3/4 inches

    Estate stamped on reverse

    #14020
  • Untitled (Seated Nude), ca. 1930s
    Watercolor on paper
    17 x 11 inches

    Estate stamped on reverse

    #20145
  • Untitled (Seated Nude), ca. 1950
    Pastel on paper
    16 x 10 1/4 inches

    Signed Francis Chapin, lower right; Estate stamped on reverse

    #14018
  • Figure Study (Reclining Nude), ca. 1935
    Charcoal on paper
    11 x 17 inches

    Estate stamped on reverse

    #12780
  • Untitled (Seated Nude), ca. 1950
    Watercolor and pastel on paper
    19 x 13 1/4 inches

    Estate stamped on reverse

    #13996
  • Untitled (Seated Nude), ca. 1930s
    Pastel on paper
    11 3/4 x 8 3/4 inches

    Signed F. Chapin, lower right; Estate stamped on reverse

    #14002
  • Untitled (Figure Study, Standing Nude), ca. 1930s
    Pastel and watercolor on paper
    18 x 12 inches

    Estate stamped on reverse

    #20305
  • Untitled (Seated Nude), ca. 1930s
    Watercolor on paper
    12 x 18 inches

    Estate stamped on reverse

    #20107
  • Untitled (Standing Nude, Back), ca. 1930s
    Watercolor on paper
    18 x 12 inches

    Estate stamped on reverse

    #20111
  • Study of Renior “Nymphes”, ca. 1928
    Graphite on paper
    5 x 8 inches

    Titled and inscribed lower left; Estate stamped on reverse

    #20307
  • Untitled (Reclining Nude), ca. 1930
    Charcoal and watercolor on paper
    9 3/4 x 12 3/4 inches

    Estate stamped on reverse

    #12883
  • Untitled (Reclining Nude), ca. 1930s
    Watercolor on paper
    12 x 16 inches

    Estate stamped on reverse

    #14034
  • Untitled (Reclining Nude), ca. 1930s
    Charcoal on paper
    9 3/4 x 12 3/4 inches

    Estate stamped on reverse

    #6959
  • Untitled (Seated Nude), ca. 1930s
    Charcoal on paper
    12 1/4 x 9 1/2 inches

    Estate stamped on reverse

    #20100
  • Untitled (Standing Nude), ca. 1940s
    Watercolor and ink on paper
    15 3/4 x 10 1/4 inches

    Estate stamped on reverse

    #20081
  • Figure Study (Seated Nude), ca. 1935
    Charcoal and ink on paper
    12 x 9 inches

    Estate stamped on reverse

    #12796
  • Untitled (Seated Nude), ca. 1930s
    Charcoal on paper
    13 1/2 x 9 3/4 inches

    Estate stamped on reverse

    #20139
  • Untitled (Figure Study, Seated Male Model), ca. 1930s
    Ink on paper
    16 3/4 x 11 inches

    Estate stamped on reverse

    #20102
  • Untitled (Artist’s Studio, Paris), ca. 1927
    Graphite on paper
    8 1/2 x 11 inches

    Estate stamped on reverse

    #7100
  • A Summer Sketch (Figures on a Pier), ca. 1950s
    Watercolor and pastel on paper
    11 x 13 inches

    Signed Francis Chapin, lower right; titled on reverse

    #14060
  • Untitled (Portrait of a Young Woman), ca. 1950s
    Pastel on paper
    4 1/2 x 3 inches

    Estate stamped on reverse

    #20048

Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington & Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong study trip to Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists have in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the Art Institute, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (now called Oxbow) between 1934 – 1938 (he was the director of the school from 1941-1945). Chapin’s contemporaries among Chicago’s artists included such luminaries as Ivan Le Lorraine Albright, Edgar Miller, William S. Schwartz and Aaron Bohrod among others.

A prolific painter, Chapin produced numerous works while traveling in Mexico, France, Spain, Saugatuck and Martha’s Vineyard, where he frequently spent summers and taught at the Old Sculpin Gallery there. Chapin was best recognized for his dynamic and vibrant images of Chicago during the 1930s and 40s. Chapin was a resident of the Old Town neighborhood where he lived and kept his studio on Menomonee Street for many years. Described as a “colorful figure, nearly 6 feet 6 inches tall, and thin, and usually wearing tweeds”, it is easy to imagine Chapin at work observing the busy street life of the city.

In addition to his many exhibitions at the Art Institute of Chicago, Chapin’s work was shown during his lifetime at such institutions as the Pennsylvania Academy of Fine Arts, Philadelphia; the Corcoran Gallery, Washington, D.C.; the National Academy of Design, New York; the Museum of Modern Art, New York; the Whitney Museum of American Art, New York and the Carnegie Institute, Pittsburgh, among others. Francis Chapin’s paintings are represented in the collections the Art Institute of Chicago; the Friedman Collection, Chicago; the Butler Institute of American Art, Youngstown; the Denver Art Museum; the Everson Museum of Art, Syracuse; the Norton Museum of Art, West Palm Beach; the Telfair Museum of Art, Savannah and the Brooklyn Museum of Art, among others.

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