Francis Chapin
American, 1899 - 1965
Francis Chapin, affectionately known as the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington & Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times there between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong trip to study in Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists had in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the School of the Art Institute of Chicago, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (called Ox-Bow) between 1934 – 1938 (he was the director of the school from 1941-1945). Chapin’s contemporaries among Chicago’s artists included such luminaries as Ivan Le Lorraine Albright, Edgar Miller, William S. Schwartz and Aaron Bohrod among others.
A prolific painter, Chapin produced numerous works while traveling in Mexico, France, Spain, Saugatuck and Martha’s Vineyard, where he frequently spent summers and taught at the Old Sculpin Gallery there. Chapin was best recognized for his dynamic and vibrant images of Chicago during the 1930s and '40s. Chapin was a resident of the city's Old Town neighborhood where he lived and kept his studio on Menomonee Street for many years. Described as a “colorful figure, nearly 6 feet 6 inches tall, and thin, and usually wearing tweeds”, it is easy to imagine Chapin at work observing the busy street life of the city.
In addition to his many exhibitions at the Art Institute of Chicago, Chapin’s work was shown during his lifetime at such institutions as the Pennsylvania Academy of Fine Arts, Philadelphia; the Corcoran Gallery, Washington, D.C.; the National Academy of Design, New York; the Museum of Modern Art, New York; the Whitney Museum of American Art, New York and the Carnegie Institute, Pittsburgh, among others. Francis Chapin’s paintings are represented in the collections the Art Institute of Chicago; the Friedman Collection, Chicago; the Butler Institute of American Art, Youngstown; the Denver Art Museum; the Everson Museum of Art, Syracuse; the Norton Museum of Art, West Palm Beach; the Telfair Museum of Art, Savannah and the Brooklyn Museum of Art, among others.
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Untitled (The Water Tower, Chicago), ca. 1950Oil on canvas18 x 24 inches
Estate stamped on reverse.
#10604 -
Morning Light, Chicago, ca. 1964Oil on canvas20 x 34 inches
Signed Francis Chapin, lower right; Estate stamped and titled on reverse.
#10527 -
Untitled (Summer Harbor), ca. 1958Oil on canvas50 x 38 inches
Estate stamped on reverse
#18420 -
Untitled (The Road Through Town), ca. 1929Oil on canvas24 x 30 inches
Estate stamped on reverse
#2781 -
Untitled (Castle and Bridge), ca. 1950Oil on canvas board18 x 24 inches
Estate stamped on reverse.
#10610 -
Ships in Harbor, ca. 1950sOil on canvas27 1/2 x 39 inches
Estate stamped on reverse.
#2740 -
Ogden Viaduct, ca. 1929Oil on Masonite30 x 44 inches
Estate stamped on reverse.
#12490 -
Untitled (Street Scene, Chicago), ca. 1930Oil on canvas18 x 15 inches
Estate stamped on reverse
#10602 -
Untitled (Michigan Avenue at Congress, Chicago), ca. 1960Oil on Masonite13 x 20 inches
Estate stamped on reverse
#12634 -
Untitled (City Scene, Chicago), ca. 1960Oil on canvas10 x 14 inches
Estate stamped on reverse
#10588 -
Untitled (Martha’s Vineyard), ca. 1950Oil on Masonite18 x 24 inches
Estate stamped on reverse.
#6951 -
Untitled (Street in Rome), ca. 1930sOil on Masonite12 x 16 inches
Estate stamped on reverse.
#6999 -
Rome Night, ca. 1957Oil on canvas, in original frame20 x 24 inches
Signed Francis Chapin, lower right; Titled on label on reverse
#10611 -
Untitled (View of Rome), ca. 1957Oil on Masonite11 1/2 x 14 1/2 inches
Estate stamped on reverse.
#12649 -
Untitled (Artist Painting, Saugatuck)Watercolor on paper14 1/2 x 22 1/2 inches#12717
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Burnham Harbor, Chicago (Autumn), ca. 1950sOil on canvas20 x 30 inches
Estate stamped on reverse.
#10529 -
Fall Day (Lincoln Park, Chicago), ca. 1950Oil on Masonite8 1/2 x 6 inches
Signed Francis Chapin, lower left; Estate stamped and titled on reverse.
#12658 -
Untitled (Saugatuck)Oil on canvas18 x 15 inches
Estate Stamped
#7006 -
ArizonaWatercolor on paper15 x 22 inches
Signed Francis Chapin, lower right; titled on reverse.
#12528 -
Untitled (Cathedral Rock, Red Rock State Park, Sedona, Arizona), ca. 1950sOil on canvas20 x 40 inches
Signed Francis Chapin, lower right.
#12660 -
Valley PastureWatercolor on paper18 1/2 x 25 inches
Titled on reverse.
#12529 -
High Bridge, Seattle, ca. 1950sWatercolor on paper20 1/4 x 29 inches
Signed Francis Chapin, lower right; titled on reverse.
#12536 -
City Patterns (Pittsburgh), ca. 1950sWatercolor and pastel on paper21 x 29 inches
Signed Francis Chapin, lower right; titled on reverse.
#12763 -
New York, ca. 1950sWatercolor on paper12 x 16 inches
Titled on reverse.
#13939 -
Untitled (Still Life with Pumpkin), ca. 1930sOil on canvas12 x 20 1/2 inches#7021
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Untitled (Still Life, Violets), ca. 1930sOil on canvas7 1/4 x 8 inches
Estate stamped on reverse.
#10552 -
Still Life (Violets), ca. 1930sOil on Masonite, in original frame7 x 6 inches
Estate stamped on reverse.
#10511 -
Still Life (Violets), ca. 1930sOil on Masonite, in original frame7 x 5 inches
Signed Francis Chapin, lower left; Estate stamped on reverse.
#10512 -
Untitled (Aerial Lift Bridge), ca. 1930sOil on canvas24 x 30 inches
Estate stamped on reverse.
#2784 -
Untitled (Boxing Scene), ca. 1930sOil on board, on original mount2 3/4 x 4 inches
Estate stamped on reverse.
#10566 -
Untitled (Billiards)Oil on Masonite6 3/4 x 40 1/2 inches
Estate stamped on reverse.
#6944 -
Untitled (Mother & Child), ca. 1950Oil on Masonite, in original frame5 3/4 x 4 inches
Estate stamped on reverse.
#10582 -
Nude, ca. 1930sOil on canvas16 x 12 inches
Estate stamped on reverse.
#3305 -
Untitled (Santa Prisca de Taxco), ca. 1933Watercolor and ink on paper, in period frame11 x 9 inches
Signed Chapin, lower right.
#14156 -
Montmartre (Paris), ca. 1928Watercolor on paper20 x 15 inches
Signed Francis Chapin and titled, lower left; Estate stamped on reverse.
#12579 -
Artist’s Party, ca. 1929Watercolor on paper16 x 16 1/4 inches
Titled on reverse
#12735 -
Untitled (Key West, Florida), ca. 1950sWatercolor and ink on paper14 1/2 x 21 1/2 inches
Estate stamped on reverse.
#12515 -
Untitled (Seven Mile Bridge- Key West, Florida), ca. 1950sWatercolor on paper14 x 21 1/2 inches
Estate stamped on reverse
#12728 -
Untitled (Bar at Night, Florida Keys), ca. 1950sWatercolor on paper9 x 15 inches
Estate stamped on reverse.
#13781 -
Untitled (Harbor Scene with Jeep), ca. 1950sWatercolor and pen on paper13 x 20 inches#13959
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Green Pears, ca. 1946Oil on Masonite6 1/2 x 8 3/4 inches
Estate stamped on reverse.
#3294 -
Green Pears, ca. 1946Oil on Masonite6 1/2 x 8 3/4 inches
Estate stamped on reverse.
#3295 -
Untitled (Monroe Harbor, Chicago), ca. 1930sWatercolor on paper13 x 18 1/2 inches
Estate stamped on reverse.
#12704 -
Untitled (Navy Pier, Chicago)Watercolor on paper14 x 20 inches#6986
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Untitled (View Towards Navy Pier, Chicago)Watercolor on paper8 x 21 inches#7027
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Untitled (House and El Tracks), ca. 1930sWatercolor on paper9 x 12 inches
Estate stamped on reverse.
#4895 -
Untitled (Factory Scene), ca. 1930sWatercolor and gouache on paper10 1/2 x 14 inches#4896
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Untitled (Around the Bend), ca. 1930sGouache and watercolor on paper19 x 13 3/4 inches#4923
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Untitled (Auto Race), ca. 1930sPastel and graphite on paper9 x 11 1/4 inches#12818
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Untitled (Moonrise), ca. 1930sWatercolor on paper11 x 14 inches
Estate stamped on reverse.
#12686 -
Untitled (Country Farm and Rainbow), ca. 1935Watercolor on paper11 1/2 x 14 1/2 inches
Signed Francis Chapin, lower right.
#13859 -
Untitled (Evening), ca. 1940sWatercolor on paper11 x 15 3/4 inches
Estate stamped on reverse.
#12608 -
Untitled (Reclining Woman), ca. 1940sWatercolor on paper22 x 30 inches
Estate stamped on reverse.
#12532 -
Untitled (Harbor Scene)Watercolor on paper21 x 15 inches
Estate stamped on reverse.
#12692 -
Untitled (Harbor Scene, Cote d’Azur, France), ca. 1950sWatercolor on paper25 x 26 1/4 inches
Signed Francis Chapin, lower right; Estate stamped on reverse.
#10614 -
Venice, ca. 1957Watercolor on paper18 x 12 inches
Signed Francis Chapin, lower left; Estate stamped on reverse.
#12580 -
Colosseum, Rome, ca. 1957Watercolor on paper12 1/2 x 30 3/4 inches
Titled on reverse
#12563 -
Untitled (The Fountain) , ca. 1957Watercolor and ink on paper21 x 33 1/2 inches#4939
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Rome, ca. 1957Watercolor, pastel and charcoal on paper26 x 41 inches
Signed Francis Chapin, lower left; Titled on reverse
#12589 -
Untitled (View of Rome), ca. 1957Watercolor on paper14 3/4 x 29 3/4 inches
Signed Francis Chapin, lower right
#12565 -
Monuments in Rome, 1957Watercolor on paper27 x 41 inches
Titled and dated on reverse
#12590 -
Untitled (Ponte Sant’Angelo, Rome), ca. 1957Watercolor on paper19 1/2 x 27 1/2 inches
Estate stamped on reverse.
#12560 -
Rome, ca. 1957Watercolor and charcoal on paper22 1/2 x 30 1/2 inches
Titled on reverse
#12585 -
Ponte Sant’Angelo, Rome, ca. 1957Watercolor on paper16 x 34 inches#12436
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View of Rome, 1957Watercolor on paper19 1/2 x 30 inches
Signed Francis Chapin, lower right; Titled and dated on reverse
#12570 -
Untitled (Terrace Scene), ca. 1957Watercolor on paper19 1/2 x 24 inches#12569
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Untitled (Building Facade - Rome), ca. 1957Watercolor on paper15 x 20 inches
Signed Francis Chapin, lower right
#12739 -
Untitled (Woman Reading), ca. 1940sWatercolor and ink on paper15 1/2 x 23 inches
Signed Francis Chapin, lower right.
#4925 -
Girl and Pier, ca. 1940sWatercolor on paper14 1/2 x 21 1/2 inches
Signed Francis Chapin, lower right; titled on reverse.
#2667 -
Untitled (Serenade), 1933Watercolor on paper11 x 13 5/16 inches
Signed and dated F. Chapin ‘33, lower left
#12509 -
Untitled (Parade and Marching Band), ca. 1930Watercolor and gouache on paper7 1/2 x 11 inches#4894
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Untitled (Baseball Game), 1945Watercolor and ink on paper10 x 13 3/4 inches
Dated and estate stamped on reverse.
#13783 -
Untitled (Baseball Game), 1945Untitled (Baseball Game)14 x 20 inches
Dated and estate stamped on reverse.
#13788 -
Untitled (Tigers, Paris Circus), ca. 1957Watercolor and ink on paper9 1/2 x 12 1/2 inches
Signed Francis Chapin, lower right.
#7071 -
Untitled (Paris Circus, Circus Horses)Watercolor and conte crayon on paper13 1/2 x 18 1/2 inches#4914
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Untitled (Churchill Downs), ca. 1954Watercolor on paper12 x 18 1/4 inches
Signed Francis Chapin, on reverse.
#6982 -
Dark Star - Kentucky Derby, 1955Watercolor and pastel on paper23 x 30 1/2 inches
Signed Francis Chapin, lower left; Estate stamped and titled on reverse.
#12762 -
Untitled (Boxing Scene), ca. 1929Charcoal on paper11 x 14 inches
Estate stamped on reverse.
#7096 -
Untitled (Boxing Scene), ca. 1929Charcoal on paper11 x 14 inches#7097
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Untitled (Self Portrait), ca. 1930Graphite on paper11 x 8 1/2 inches
Estate stamped on reverse.
#12797 -
Untitled (Woman Seated in a Cafe), ca. 1930sCharcoal on paper14 x 11 inches#6960
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Le Metro, Paris, ca. 1927Graphite on paper8 1/2 x 11 inches
Estate stamped on reverse.
#7114 -
Paris, 1927Charcoal on paper7 1/4 x 10 1/2 inches
Titled and dated on reverse.
#6964 -
Untitled (Halloween, Trick-or-Treat), ca. 1930sCharcoal, pastel and ink on paper7 1/2 x 10 1/2 inches
Estate stamped on reverse.
#12872
Francis Chapin, affectionately known as the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington & Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times there between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong trip to study in Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists had in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the School of the Art Institute of Chicago, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (called Ox-Bow) between 1934 – 1938 (he was the director of the school from 1941-1945). Chapin’s contemporaries among Chicago’s artists included such luminaries as Ivan Le Lorraine Albright, Edgar Miller, William S. Schwartz and Aaron Bohrod among others.
A prolific painter, Chapin produced numerous works while traveling in Mexico, France, Spain, Saugatuck and Martha’s Vineyard, where he frequently spent summers and taught at the Old Sculpin Gallery there. Chapin was best recognized for his dynamic and vibrant images of Chicago during the 1930s and '40s. Chapin was a resident of the city's Old Town neighborhood where he lived and kept his studio on Menomonee Street for many years. Described as a “colorful figure, nearly 6 feet 6 inches tall, and thin, and usually wearing tweeds”, it is easy to imagine Chapin at work observing the busy street life of the city.
In addition to his many exhibitions at the Art Institute of Chicago, Chapin’s work was shown during his lifetime at such institutions as the Pennsylvania Academy of Fine Arts, Philadelphia; the Corcoran Gallery, Washington, D.C.; the National Academy of Design, New York; the Museum of Modern Art, New York; the Whitney Museum of American Art, New York and the Carnegie Institute, Pittsburgh, among others. Francis Chapin’s paintings are represented in the collections the Art Institute of Chicago; the Friedman Collection, Chicago; the Butler Institute of American Art, Youngstown; the Denver Art Museum; the Everson Museum of Art, Syracuse; the Norton Museum of Art, West Palm Beach; the Telfair Museum of Art, Savannah and the Brooklyn Museum of Art, among others.
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