Rudolph T. Pen
American, 1918 - 1989
Rudolph Pen, a prolific American artist, was a Chicago native. He graduated from the Art Institute of Chicago and served on its faculty from 1948 until 1963. His long association with the "Institute" included service as President of the Alumni Association and Director of Oxbow, the Art Institute's summer school of painting.
His work has been exhibited in numerous galleries. Pen is the recipient of numerous prizes and awards, including a Huntington Hartford Foundation Grant, an award from the National Academy of Design in New York City and the Art Institute of Chicago's prestigious Joseph Ryerson Fellowship.
The work of Rudolph Pen may be seen in public collections (The Library of Congress, The Vincent Price Collection, The Davenport Museum, Art Institute of Chicago) as well as in private collections throughout America.
Subject and Medium:
Pen's work embraces a large variety of subject matter, inspired by his extensive travel in Europe, South and Central America, the Caribbean, and North Africa. His subjects include landscapes, seascapes, horse races, boat races, still lifes, dancers and musicians as well as medical, religious and political works. As a courtroom artist, Pen's work was often seen on TV during a particularly exciting time in Chicago's history. He worked in a wide range of media including oil, acrylic, watercolor, ink, charcoal and pastel. He was a member of the American Watercolor Society. Additionally, there is a large selection of prints and drawings.
Style and Philosophy:
Rudolph Pen understood on an instinctive and molecular level that all things move. His work explores the way in which things move within unusual (often trapezoidal) shapes. Pen believed that our eyes rarely look at anything steadily and directly. His work leads the viewer beyond the confinement of the "square." Most importantly, Pen felt that innovation is the key to art. He is documented as the first artist to advocate shaped canvases.
Source: Ron Pen, son of the artist.
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Untitled (Beach Scene), ca. 1955Acrylic on Masonite20 x 36 inches
Signed Pen, lower right
#16265 -
Outdoor CafeOil on Masonite, in original frame42 x 52 inches
Signed Pen lower center; titled on reverse.
#7241 -
Still Life, ca. 1950sAcrylic on Masonite26 x 19 1/2 inches
Signed Pen, upper left
#7240 -
Untitled (City at Night), ca. 1945Oil on panel38 x 85 inches
Signed Pen, lower right.
#7239 -
Untitled (Lincoln Park Conservatory), ca. 1955Acrylic on Masonite48 x 38 inches
Signed Pen, lower right
#16227 -
Untitled (Chicago), ca. 1950Oil on Masonite24 x 37 inches
Signed Pen, lower left
#16255 -
Untitled (City Parkway), ca. 1940sWatercolor on paper13 x 20 inches
Signed Pen, lower right
#16289 -
Untitled (Cafe Scene)Watercolor and pastel on paper19 x 25 inches#16304
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Untitled (Beach Scene)Watercolor on paper13 1/4 x 26 inches#16689
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Untitled (Saugatuck)Watercolor and pastel on paper10 x 16 inches
Signed Pen, lower left
#16395 -
Untitled (Mountain Landscape)Watercolor and pastel on paper23 x 35 inches
Signed Pen, lower left
#16720 -
Untitled (Coastal Scene, Afternoon Sun)Watercolor and pastel on paper19 x 25 inches#16411
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Untitled (Summer Garden)Watercolor, pastel and graphite on paper18 1/2 x 26 1/4 inches#16699
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Untitled (Summer Garden)Watercolor and pastel on paper20 x 26 inches#16915
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Untitled (Summer Garden)Watercolor, pastel and graphite on paper19 x 25 inches
Signed Pen, lower right
#16704 -
Untitled (Moonrise), ca. 1950Watercolor on paper16 1/2 x 21 1/2 inches
Signed Pen, lower left.
#11098 -
Untitled (Landscape)Watercolor, pastel, and charcoal on paper26 x 40 inches
Signed Pen, lower right.
#6929 -
Untitled (Landscape)Watercolor, pastel, and charcoal on paper26 x 40 inches
Signed Pen, lower right.
#6930 -
Untitled (Landscape, Woods)Watercolor on paper11 x 17 1/2 inches#16871
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Untitled (Landscape, Woods)Watercolor and pastel on paper13 1/4 x 24 inches#16873
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Untitled (Summer Landscape), ca. 1950sPastel on paper20 x 26 inches#16240
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Untitled (Landscape, Woods)Watercolor on paper5 1/2 x 17 inches#16794
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Untitled (Landscape, Woods)Watercolor on paper12 x 18 inches#16858
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Untitled (Landscape)Watercolor on paper19 x 25 inches#16461
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Untitled (Palms)Watercolor, pastel and graphite on paper30 1/2 x 25 1/2 inches
Signed Pen, lower right
#16716SOLD -
Untitled (Woods)Watercolor on paper23 1/4 x 35 1/4 inches#16713
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Untitled, ca. 1960sWatercolor on paper20 x 26 inches#16753
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Untitled (Garden)Watercolor, pastel and graphite on paper20 3/4 x 25 3/4 inches#16441
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Untitled (Garden)Watercolor, pastel and graphite on paper20 x 26 inches#16440
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Untitled (Rooftops)Watercolor on paper22 3/4 x 31 1/2 inches
Signed Pen, lower right
#16715 -
Untitled (City View from Terrace)Watercolor and pastel & charcoal on paper22 1/2 x 35 inches
Signed Pen, lower right
#16732 -
Untitled (Harbor Scene)Watercolor, pastel and graphite on paper11 3/4 x 17 3/4 inches#16691
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Untitled (Harbor Scene)Watercolor on paper25 x 39 inches
Signed Pen, lower right
#16476 -
Untitled (Harbor Scene), ca. 1940sWatercolor on paper25 x 38 inches
Signed Pen, lower right
#16241 -
Untitled (Harbor Scene)Watercolor and pastel on paper18 x 11 inches#16662
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Untitled (Harbor Scene), ca. 1950sWatercolor and pastel on paper18 x 24 inches
Signed Pen, lower right
#16242 -
Untitled (Chicago), ca. 1948Watercolor and pastel on paper13 x 19 inches
Signed Pen, lower right; Signed on reverse
#16627 -
Untitled (Floral Patterns), ca. 1960sPastel on paper18 x 12 inches#16626
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Untitled (Landscape, Woods)Pastel on paper17 x 11 inches
Signed Pen lower right
#16864 -
Untitled (Summer Garden)Watercolor and ink on paper26 x 20 inches#16747
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Untitled (Rooftops, Florence)Pastel on paper17 x 11 inches
Signed Pen, lower left
#16769 -
Untitled (City View, Rooftops- Florence)Pastel on paper11 x 17 inches#16298
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Untitled (Florence)Pastel on paper11 x 17 inches#16299
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Untitled (Horse Race), ca. 1950sPastel and charcoal on paper11 x 17 inches#16783
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Untitled (Horse Race), ca. 1950sCharcoal on paper12 3/4 x 38 3/4 inches
Signed Pen lower right.
#6940 -
Untitled (Harbor Scene), ca. 1950sInk on paper12 x 19 inches#16605
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Untitled (Landscape, Woods)Charcoal on paper20 x 26 inches
Signed Pen, lower right
#16591 -
Untitled, ca. 1950sInk on paper12 1/2 x 20 inches
Signed Pen, lower right
#16531 -
Untitled (Harbor Scene), ca. 1950sInk on paper26 x 40 inches
Signed Pen, lower right
#6938
Rudolph Pen, a prolific American artist, was a Chicago native. He graduated from the Art Institute of Chicago and served on its faculty from 1948 until 1963. His long association with the "Institute" included service as President of the Alumni Association and Director of Oxbow, the Art Institute's summer school of painting.
His work has been exhibited in numerous galleries. Pen is the recipient of numerous prizes and awards, including a Huntington Hartford Foundation Grant, an award from the National Academy of Design in New York City and the Art Institute of Chicago's prestigious Joseph Ryerson Fellowship.
The work of Rudolph Pen may be seen in public collections (The Library of Congress, The Vincent Price Collection, The Davenport Museum, Art Institute of Chicago) as well as in private collections throughout America.
Subject and Medium:
Pen's work embraces a large variety of subject matter, inspired by his extensive travel in Europe, South and Central America, the Caribbean, and North Africa. His subjects include landscapes, seascapes, horse races, boat races, still lifes, dancers and musicians as well as medical, religious and political works. As a courtroom artist, Pen's work was often seen on TV during a particularly exciting time in Chicago's history. He worked in a wide range of media including oil, acrylic, watercolor, ink, charcoal and pastel. He was a member of the American Watercolor Society. Additionally, there is a large selection of prints and drawings.
Style and Philosophy:
Rudolph Pen understood on an instinctive and molecular level that all things move. His work explores the way in which things move within unusual (often trapezoidal) shapes. Pen believed that our eyes rarely look at anything steadily and directly. His work leads the viewer beyond the confinement of the "square." Most importantly, Pen felt that innovation is the key to art. He is documented as the first artist to advocate shaped canvases.
Source: Ron Pen, son of the artist.
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