Charles Turzak

American, 1899 - 1986


Charles Turzak was one of Chicago’s greatest printmakers of the Art Deco-era. Son of a coal miner, Charles Turzak was born in Streeter, IL in 1899. In 1920, Turzak won the first prize a cartoon contest sponsored by the Purina company and he used his prize money to enroll in the Art Institute of Chicago. Best known as a print maker, in the 1920s & 30s, he created woodcuts of many of Chicago’s most notable buildings, including the Merchandise Mart, Palmolive Building and the Old Water Tower, among others. In 1933, he was commissioned to create woodcuts of many of Chicago’s most iconic buildings to illustrate a guidebook called “All About Chicago” by John and Ruth Ashenhurst” that featured the upcoming Century of Progress Exhibition in Chicago. During the 1933 World’s Fair, Turzak sold a book and collection of prints he created about Abraham Lincoln. Later, he created other series of prints dedicated to other patriots, such as Benjamin Franklin and Alexander Hamilton. Some of these prints also illustrated Federal Hardware and Implement Mutuals Company of Dallas calendars.

Charles Turzak exhibited at the Art Institute if Chicago in 1940, and also created a WPA post office mural in Lemont, IL. His works can be found in the collections of such museums of the Art Institute of Chicago, the Terra Foundation of American Art, the Smithsonian, Washington, D.C, among others. Later in life, Turzak retired to the Orlando Florida area, where he continued to create prints and paint until his death in 1986.

  • South of the Loop, ca. 1936
    Woodcut in colors on paper
    9 1/2 x 10 3/4 inches

    Signed and titled in pencil

    #22310
  • Under the Bridge, 1934
    Woodcut in colors on Japan paper
    8 1/4 x 10 1/4 inches

    Signed and titled in pencil

    #22319
  • Randolph Street - Chicago (From Series Chicago Moods in Color), 1935-1936
    Color woodcut on Japan paper
    12 1/4 x 9 1/4 inches

    Signed and titled in pencil
    Edition of 50

    #21888
  • North Branch of the Chicago River, ca. 1930
    Color woodcut on paper
    9 1/4 x 12 inches

    Signed and titled in pencil
    Edition of 25

    #22324
  • Loop Alley, ca. 1935
    Color woodcut on paper
    11 1/4 x 8 3/4 inches

    Signed and titled in pencil
    Edition of 25

    #22323
  • The Fountain, ca. 1927
    Woodcut in colors on Japan paper
    5 1/2 x 8 inches

    Signed and titled in pencil

    #21848
  • Shadows on the Avenue, ca. 1931-1933
    Woodcut on paper
    13 1/4 x 8 3/4 inches

    Signed and titled in pencil

    #22637
  • Palm Olive Building, ca. 1931
    Woodcut on paper
    12 1/2 x 9 inches

    Signed, titled and numbered in pencil
    Edition: 24/50

    #22629
  • LaSalle & Washington Streets, ca. 1933-1934
    Linoleum cut on paper
    11 1/4 x 9 1/4 inches

    Signed and titled in pencil

    #22634
  • Michigan Avenue Bridge, ca. 1929
    Woodcut on paper
    12 3/4 x 9 inches

    Signed in plate; signed, titled and numbered in pencil
    Edition: 7/50

    #22630
  • Chicago River, ca. 1931
    Woodcut on paper
    11 3/4 x 9 3/4 inches

    Signed, titled and numbered in pencil,
    Edition: 20/50

    #22635
  • Lincoln Park, ca. 1930s
    Woodcut on paper
    10 x 12 inches

    Signed and titled in pencil

    #22631
  • Chicago Tribune Tower, ca. 1930s
    Woodcut on paper
    10 1/2 x 6 1/2 inches

    Signed Turzak in plate; titled in pencil

    #22316
  • Old Water Tower (Chicago), ca. 1940
    Woodcut on paper
    10 1/4 x 7 inches

    Signed in plate; signed and titled in pencil
    Edition of approx. 100

    #22632
  • Merchandise Mart, 1931
    Woodcut on paper
    9 1/4 x 11 1/4 inches

    Signed, titled and numbered in pencil
    Edition: 24/50

    #22315
  • Methodist Temple, Chicago, 1931
    Woodcut on paper
    13 3/4 x 8 3/4 inches

    Woodcut on paper
    Edition: 45/50

    #22314
  • Forms Masculine, Feminine, 1932
    Woodcut
    12 x 8 3/4 inches

    Signed, titled and numbered in pencil
    Edition: 4/75

    #8446
  • The Kiss, 1932
    Woodcut on paper
    9 x 4 1/4 inches

    Signed, titled and numbered in pencil
    Edition: 85/100

    #22311
  • Dancers, 1939
    Woodcut on paper
    10 1/2 x 6 3/4 inches

    Signed, titled and numbered in pencil
    Edition: 52/100

    #22312
  • Oak Street Beach, 1935
    Woodcut
    5 1/2 x 6 1/2 inches

    Signed and titled in pencil

    #21890
  • Meditation, ca. 1930s
    Woodcut on paper
    7 x 4 1/4 inches

    Signed, titled and numbered in pencil
    Edition: 33/50

    #22318
  • Grant Park, 1931/33
    Woodcut
    12 x 9 1/4 inches

    Signed, titled and numbered in pencil
    Edition: 29/50

    #21889
  • Ghetto, 1931
    Woodcut on paper
    12 x 9 1/4 inches

    Signed, titled and numbered in pencil
    Edition: 9/50

    #21891
  • Men’s Quadrangle, N.U. Evanston, Ill., ca. 1930s
    Woodcut on paper
    9 1/2 x 11 1/2 inches

    Signed, titled and numbered in pencil
    Edition: 34/50

    #22624
  • Northwestern University, ca. 1930s
    Woodcut on paper
    10 1/2 x 11 inches

    Signed, titled and numbered in pencil
    Edition: 42/50

    #22623
  • Old College N.U., ca. 1930s
    Woodcut on paper
    9 1/2 x 11 3/4 inches

    Signed, titled and numbered in pencil
    Edition: 20/50

    #22622
  • Union Building, Northwestern University, ca. 1930s
    Woodcut on paper
    9 x 11 1/4 inches

    Signed, titled and numbered in pencil
    Edition: 29/50

    #22625
  • Carl Sandburg, 1941
    Woodcut on paper
    6 1/2 x 5 inches

    Signed, titled and numbered in pencil
    18/50

    #8246
  • Sault St. Marie, Michigan, ca. 1930s
    Woodcut in colors on Japan paper
    10 x 12 3/4 inches

    Signed, titled and numbered in pencil
    Edition: 82/100

    #22313
  • Sailing on the Blue, ca. 1950s
    Lithograph in colors on paper
    9 3/4 x 12 1/2 inches

    Signed, titled and numbered in pencil
    Edition: 22/50

    #22617
  • Birds Eye View Pictorial Map of Chicago Published by Houghton Mifflin Company, Tudor Press, Boston, MA , 1931
    Lithograph in colors
    23 x 38 inches
    #22273
  • An Illustrated Map of Chicago Published by Houghton Mifflin Company, Tudor Press, Boston, MA , ca. 1931
    Lithograph and collage in colors on paper
    9 x 12 3/4 inches
    #22639
  • Space Plant, ca. 1935
    Lithograph in colors on paper
    8 1/2 x 12 inches

    Signed and titled and numbered in pencil
    Edition: 18/50

    #22615
  • The Phantom, ca. 1950s
    Lithograph in colors on paper with embossed pattern motif
    12 1/2 x 6 inches

    Signed, titled and numbered in pencil
    Edition: 18/50

    #22619
  • P.C. 10 The Infinite and the Finite, ca. 1950s
    Lithograph in colors on paper with embossed pattern motif
    12 1/2 x 9 3/4 inches

    Signed and titled and numbered in pencil
    Edition: 1/50

    #22618
  • Impact P.C. 7, ca. 1950s
    Lithograph in colors on paper
    9 x 12 inches

    Signed, titled and numbered in pencil
    Edition: 28/30

    #22613
  • Paper Cut No. 10, ca. 1950s
    Lithograph in colors on paper
    9 1/2 x 12 1/4 inches

    Signed, titled and numbered in pencil
    Edition: 19/50

    #22606
  • Paper Cut No. 3X, ca. 1950s
    Lithograph in colors on paper
    9 1/4 x 12 1/2 inches

    Signed, titled and numbered in pencil
    Edition: 29/30

    #22621
  • Paper Cut No. 4 Square, ca. 1950s
    Lithograph in colors on paper
    12 x 9 1/4 inches

    Signed and titled and numbered in pencil
    Edition: 30/50

    #22604
  • Paper Cut No. 1, ca. 1950s
    Lithograph in colors on paper
    11 1/2 x 8 3/4 inches

    Signed, titled and numbered in pencil
    Edition: 12/25

    #22605
  • Paper Cut No. 6, ca. 1950s
    Lithograph in colors on paper
    12 x 8 3/4 inches

    Signed, titled and numbered in pencil
    Edition: 25/30

    #22609
  • Spectrum - Paper Cut No. 8, ca. 1950s
    Lithograph in colors on paper
    11 3/4 x 8 3/4 inches

    Signed and titled and numbered in pencil
    Edition: 29/50

    #26611
  • Paper Cut No. 2, ca. 1950s
    Lithograph in colors on paper
    11 1/2 x 9 inches

    Signed, titled and numbered in pencil
    Edition: 9/25

    #22601
  • Star of David, ca. 1950s
    Lithograph in colors on paper
    11 1/2 x 9 inches

    Signed in pencil

    #22608
  • Birds in Flight, ca. 1950s
    Lithograph in colors on paper
    8 1/4 x 11 3/4 inches

    Signed and titled and numbered in pencil
    Edition: 34/50

    #22641
  • Birds Soaring, ca. 1950s
    Lithograph in colors on paper
    12 1/2 x 7 1/2 inches

    Signed, titled and numbered in pencil
    Edition: 16/25

    #22640
  • Line and Fish, ca. 1950s
    Lithograph in colors on paper
    9 1/4 x 11 1/2 inches

    Signed and titled in pencil
    Edition of 50

    #22642
  • Line and Fish, ca. 1950s
    Lithograph in colors on paper
    9 1/4 x 11 1/2 inches

    Signed, numbered and titled in pencil
    Edition: 6/50

    #22643

Charles Turzak was one of Chicago’s greatest printmakers of the Art Deco-era. Son of a coal miner, Charles Turzak was born in Streeter, IL in 1899. In 1920, Turzak won the first prize a cartoon contest sponsored by the Purina company and he used his prize money to enroll in the Art Institute of Chicago. Best known as a print maker, in the 1920s & 30s, he created woodcuts of many of Chicago’s most notable buildings, including the Merchandise Mart, Palmolive Building and the Old Water Tower, among others. In 1933, he was commissioned to create woodcuts of many of Chicago’s most iconic buildings to illustrate a guidebook called “All About Chicago” by John and Ruth Ashenhurst” that featured the upcoming Century of Progress Exhibition in Chicago. During the 1933 World’s Fair, Turzak sold a book and collection of prints he created about Abraham Lincoln. Later, he created other series of prints dedicated to other patriots, such as Benjamin Franklin and Alexander Hamilton. Some of these prints also illustrated Federal Hardware and Implement Mutuals Company of Dallas calendars.

Charles Turzak exhibited at the Art Institute if Chicago in 1940, and also created a WPA post office mural in Lemont, IL. His works can be found in the collections of such museums of the Art Institute of Chicago, the Terra Foundation of American Art, the Smithsonian, Washington, D.C, among others. Later in life, Turzak retired to the Orlando Florida area, where he continued to create prints and paint until his death in 1986.

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